
I’m on vacation, but I’ve put together a quick FAFF for you! (Because of the love.)
It’s always funny to me how fan art and fic is often a response to a very short, throwaway scene. Like the one in Leviathan, when Deryn is faking a bit of shaving. It’s cool how these little slices of the character’s normal, non-dramatic life are so compelling.
So here’s “Shave Like a Man” by Mcl-Jessie:

And here’s a slightly more intense scene from KuroPhillyDip, featuring the Leviathan series’ second-favorite couple:

And another picture for you lady boffin lovers, from Marielleaster:

And here in a comical vein, “Lessons” by Awesometastic:

Okay, I’m on vacation, so I’m outta here. Thanks to all you fan artists, everywhere!
Don’t forget, the next art reveal will be hosted by io9.com. So check in with them throughout the day next Monday, August 1.
DAVIS ENTERTAINMENT AND LOLA VFX TEAM TO PRODUCE SCOTT WESTERFELD’S NEW YORK TIMES BEST-SELLING FUTURISTIC TRILOGY. “UGLIES” BEING PREPARED AS FIRST OF THE PLANNED LIVE ACTION FEATURES
Project Signals Premier Visual Effects Company Move Into Film Production
LOS ANGELES (JULY 24, 2011) – Producer John Davis and the founders of Lola Visual Effects (Lola VFX) will team to finance, develop and produce a theatrical, live action feature based on Scott Westerfeld’s New York Times best-selling “Uglies,” the first of his futuristic trilogy first published in 2005.
The filmmakers have also acquired Westerfeld’s PRETTIES and SPECIALS, the remaining trilogy installments published by Simon Pulse, a Simon & Schuster company, with total sales of over 3 million copies. Jacob Forman (“All The Boys Love Mandy Lane”) will write the screenplay.
UGLIES will be produced by John Davis (“Mr. Popper’s Penguins,” “I, Robot”) and Jordan Davis (“Jump In”), along with Colin and Greg Strause via their Hydraulx Entertainment banner. Lola’s Edson Williams and Thomas Nittmann will executive produce along with Adam Schroeder
Lola is the groundbreaking visual effects company paving the way for an entirely new level of story-telling, most recently transforming Chris Evans into the 90-pound weakling Steve Rogers for CAPTAIN AMERICA: THE FIRST AVENGER. The company was founded by Colin and Greg Strause, Edson Williams, and Thomas Nittmann.
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Set in an Orwellian future in which teens undergo surgery on their sixteenth birthdays to become supermodel “pretty,” UGLIES is the story of Tally Youngblood, one such “ugly” teen who is forced by authorities to forgo her transformation until she infiltrates The Smoke, a community of rebels who choose to retain their appearance and live outside of normal society. Tally soon discovers appearance isn’t everything and her world is not all that it seems.
“’UGLIES’ is a smart, youthful, and edgy trilogy peopled by sophisticated characters who have to navigate through a dangerous but fascinating world,” stated John Davis. “We are at this time in the development of cinema magic where we have the proper technology to fully realize Scott’s vision for the screen.”
In addition to CAPTAIN AMERICA, Lola is the company behind Brad Pitt’s youthification in THE CURIOUS CASE OF BENJAMIN BUTTON and flawless twining of Tyler and Cameron Winklevoss in THE SOCIAL NETWORK. With this technology and expertise, Lola will handle the dramatic transformation of characters into the “pretty” versions of themselves while Hydraulx will create the futuristic world of UGLIES, an exquisite yet eerie dystopian future.
Stated Greg Strause: “With UGLIES, Scott created a visually stunning world that capitalizes on the strengths of both Lola and Hydraulx. Our partnership demonstrates the expanding possibilities of enhancing creative storytelling with innovative visual effects.”
Hydraulx is an award-winning visual effects facility with work including 300, THE DAY AFTER TOMORROW, 2012, BATTLE LOS ANGELES, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES, and AVATAR, the latter two films in 3D. Founded by Colin and Greg Strause, the company leverages the Brothers’ extensive filmmaking experience to provide a comprehensive and unparalleled photographic and photorealistic approach to visual effects.
DAVIS ENTERTAINMENT
Chairman of Los Angeles-based Davis Entertainment, John Davis has been a producer on more than 80 feature films and movies for television that have earned more than $4 billion worldwide.
Davis’s three divisions–-feature film, independent film, and television-–develop and produce film and television projects for the major studios, independent distributors, networks and cable broadcasters. The Company, established in 1986, has enjoyed a long-standing first-look production deal at 20th Century Fox, though also produces projects for all studios and mini-majors.
Some of Davis’s films include the Jim Carrey starring “Mr. Popper’s Penguins,” “Gulliver’s Travels” starring Jack Black; the hit sci-fi thriller “I, Robot” starring Will Smith; “Norbit,” starring Eddie Murphy (in their fourth film together) for DreamWorks/Paramount; “Garfield,” which earned $200 million at the worldwide box office, for Fox; the $100 million-plus hit Eddie Murphy comedy “Daddy Day Care;” the blockbuster “The Firm,” starring Tom Cruise; “Courage Under Fire,” starring Denzel Washington; “Waterworld,” starring Kevin Costner; “Predator,” starring Arnold Schwarzenegger; the two hugely successful “Dr. Dolittle” films, starring Eddie Murphy; the Jack Lemmon/Walter Matthau trilogy “Out to Sea,” “Grumpy Old Men,” and “Grumpier Old Men;” “Alien vs. Predator,” an action thriller combining the two classic creatures, and its sequel “AVP2,” for Fox, among many others.
I’m interrupting my Comic Con cavorting to bring you the Greek cover of Leviathan:

Hey, I know it’s just the original US cover with the title in Greek. But Greek looks pretty cool.
Now back to your regularly scheduled programming.
I’m at Comic Con, so check out my doings on twitter, or catch me in person if you’re in San Diego.
Okay, it’s time for FAN ART FRIDAY.
Technically it is a bit past time for FAF, because it’s Saturday and everything. Apologies, but Leaky-Con was rather exhausting. There were many panels and signings and such, and then a trip to Disney World with Maureen Johnson.
I haz proof:


Ah, the fun we had in the hat shop.
Leaky-Con was really great. The Harry Potter fans, especially those at Lit Day, were just incredible. A nicer bunch of people you will never meet.
Here’s proof of that fact, in the form of a pressie that Potter-fan Maya gave me:

See? Even when they’re expressing scary sentiments, it’s all beautifully cross-stitched!
Anyway, thanks to all the volunteers and staff and organizers of Leaky-Con and Lit Day. You were all awesome. Too much fun was had.
Oh, and thanks to Cassie-la for letting me borrow her hipster wizard sign:

It’s the tree that makes it funny.
And now it’s time for Fan Art Friday! Long awaited, but never abated!
We begin with “I Wish I Were a Man,” from Awesome O’clock:

What makes this particularly cool is that it’s based on a real US propaganda poster from 1917:

Nice work, Awesome O’clock. (Or may I just call you Awesome?)
And for some more of Deryn looking soldierly, check out this piece from Delinquent Unicorn:

This picture has what you call directionality!
And now for some Deryn and Alek action, starting with this delightful sketch from Shenli, called “Wandering Hands”:

Awkward moment is awkward. It’s amazing how many people have done fan art based on that one short fencing scene.
Perhaps you would like some kissing? If so, here’s “Airmanship” by teaspoon00:

And for more kissing, how about “Engine Grease” by theprinceofparties?

Some of you may want some cool Leviathan desktops. If so, check out Art-Bandgeek’s work. Here’s an example:

But there are many more, featuring all the big characters.
Okay, so that’s all I’ve got time to post right now, but there are many more pieces of fan art ready to go. I’ve just been a bit overwhelmed. Last week was Leaky-Con, and next is the infinitely more exhausting Comic Con, and then Justine and I are headed to Hawaii for some rest before the touring season starts.
What I’ll do, however, is set up some auto-posts of Fan Art, so that you will all survive. And hopefully I’ll get up some pix of cool stuff from Comic Con, both here and on twitter, where I’m @scottwesterfeld
And of course, there will be the August 1 art reveal, which will be hosted by io9.com this month. (I’ll remind you here.)
See you at Comic Con, I hope!
Update
I’ll be doing a video interview with Suvudu.com while at Comic Con. If you want them to ask me a question, leave it for them right here.
Update!
I’ve added my signing times below. I’ll be signing three times during Comic Con. Sorry I forgot!
I’m headed to Leaky-Con tomorrow, and will be on panels all of YA Lit Day, also known as Wednesday. That schedule is right here. (It’s been sold out for ages.)
Next week, July 20-25, I’ll be at Comic Con in San Diego! (Also sold out.) For those of you coming, here’s what I’m doing:
Thursday, July 21
4:30-5:30 Comics for Teens— Comics creators Cecil Castelluci (Plain Janes), Hope Larson (Mercury), Nate Powell (Swallow Me Whole), and Gene Luen Yang (Level Up) come together for a discussion of what makes a comic fit a teen audience. Do books for teens have something special that books for kids and adults don’t have? Moderated by Scott Westerfeld (New York Times bestselling teen author). Room 26AB
Saturday, July 23
1:00 – 1:50 Saturday, July 23
Signing at the Mysterious Galaxy booth, #1119.
Sunday, July 24
11:15-12:15 Building the World of Leviathan, an Illustrated Steampunk Series— Bestselling YA author and Comic-Con special guest Scott Westerfeld (Uglies, Midnighters) discusses how illustrated adventure novels disappeared in the early 20th century and how he worked with artist Keith Thompson to create one for the 21st, Leviathan, a steampunk reimagining of WWI. Lots of visuals (and some secret news about Uglies). Room 6DE
Signing after Scott Westerfeld Spotlight
Smart Pop will be handing out free copies of Mind-Rain at this signing.
Comic-Con Autograph Area
AA18 12:45 p.m. – 1:45 p.m.
2:45-3:45 High School Bites— Let’s face it: High school sucks enough without having to add a constant thirst for blood, going all furry under a full moon, or being hunted by all of the above. But for these YA authors, going back to high school was the best decision they ever made. Scott Westerfeld (The Uglies series), Laini Taylor (Daughter of Smoke and Bone), Margaret Stohl and Kami Garcia (Beautiful Creatures, Beautiful Darkness), Debbie Viguie (Once Upon a Time series), Anna Carey (Eve), and Heather Brewer (The Vlad Tod series) discuss their characters’ formative years with moderator Maryelizabeth Hart of Mysterious Galaxy. Room 5AB
Signing after High School Bites
Comic-Con Autograph Area
AA3 4:00 p.m. – 5:00 p.m.
Also you might want to check this out:
Thursday, July 21
7:00-8:00 The Scoop at Simon & Schuster!— Get the inside word on Simon & Schuster’s upcoming books and the chance to win exclusive prizes! Lucille Rettino (marketing director), Elke Villa (senior marketing manager), Carolyn Swerdloff (associate marketing manager), and Anna McKean (publicity manager) give you the scoop on upcoming books from exciting authors, including Cassandra Clare, Scott Westerfeld, Orson Scott Card, and Becca Fitzpatrick. Hear what is going on with S&S’s hot properties — Star Trek and The Smurfs — and get a chance to win exclusive giveaways. All attendees will receive a limited edition T-shirt for Cassandra Clare’s Clockwork Prince. Room 9
That’s it. I hope I get to see some of you while I’m on the road the next two weeks!
(I will be getting Fan Art Friday up this week, though, even if I’m not at home.)
I spent yesterday morning listening to the indefatigable Maureen Johnson. She was on the radio with a Wall Street Journal writer best known for decrying the state of young adult lit. You know the drill: “YA is too dark, too depressing, and is bad for the kidz!”
I am not here to argue against fact-free trend pieces, however. Maureen and the internet have already done that and done it well. And, you know, haters gonna hate, and shoddy journalists gonna shod. There’s no way to stop that. Here’s the problem I would like to address instead:
When these issues arise, we writers, librarians, booksellers, teachers, and editors know that the media is overblown and out of touch. We know that the huge boom in YA is helping young readers, because we see it in our in-boxes, our libraries, our stores, and our twitter feeds every day.
Sure, some books aren’t right for some kids. But it’s not like that challenge has recently grown insurmountable. In fact, connecting the right book with the right reader has never been easier. There are more specialist teen librarians than ever before, teenage readers are relentlessly networked, and book reviews from all perspectives are more plentiful than at any other time in human history. (Thank you, the internet.)
But someone has to think of the parents. Especially those who randomly turn on the radio or read the WSJ and are exposed to this alarmism. They may not know how to check out all those amazing stories tweeted on #YASaves. They probably don’t follow comment threads on blogs like this one, where bookish teens prove hourly how smart, supportive, and savvy they are. Many parents don’t know what “DFTBA” means, and thus may not realize how awesome their kids are not forgetting to be.
And the other side in this debate sounds perfectly reasonable. “We just want a conversation! We just want parents to be aware!” And they couch everything in that scary questioning tone: “These books MAY be turning your kids into cutters.” Like when local news promos ask, “Are your cleaning fluids making you hate America? Story at eleven!”
Here’s my problem with this brand of “reasonableness”: Conversations have contexts, and awareness is always flavored by its catalyst. Let’s take two examples . . .
A parent goes into a teenager’s room and says, “I just heard from the wise people at the Wall Street Journal that the books you kids read these days are mostly dark and horrible and will make you cut yourself and take drugs. Let me check your books so I can make sure this is not true!”
Seriously. How do you think that conversation’s going to go?
Eyes will be rolled, tempers will rise, and more than likely this parent will be made to feel dreadfully foolish. (Teenagers are good at this last bit.) Frankly, being easily manipulated by alarmists in the media is not a good look for anyone.
But let’s say a parent goes into that same kid’s room and says . . .
“Hey, I just heard that young adult lit sales have grown by double digits every year for the last decade. You teens read so much that it’s the only profitable part of publishing! And now Hollywood wants to make everything you read into movies, and more adults than ever before are reading YA! And I heard that huge crowds show up at bookstores and rented venues when popular YA writers are in town! And that many YA writers have tens of thousands of followers on the Twitter machine, if not hundreds of thousands! And that every November countless teenagers support each other in WRITING THEIR OWN NOVELS! Holy crap, we didn’t do that in my benighted day of juvenile sloth. It’s just awesome how dedicated you and your peers are to reading. Can you please lend me some of these great books?”
My guess is that this conversation will go rather better. And, unlike the Wall Street Journal, this opening gambit is full of verifiable facts!
Make no mistake, we writers want parents to talk to their kids about books. But don’t do it because some newspaper uses fear to generate web hits. Do it because reading is awesome and your kids are awesome.
There’s a problem here, though. The parents who are reading this post (on a YA writer’s blog) probably don’t need this advice. They can see through the malarky without my help. They’ve already noticed that the only “science” referred to in the WSJ‘s articles was a study of 1970s anti-drug public service announcements. (Because nothing is more relevant to 21st-century young adult literature than 40-year-old TV ads.)
But how do we reach those other parents, the ones whose innocent minds might be corrupted by these fact-missing anxiety-mechants? Parents can’t be expected to protect themselves these days. A recent study of hair cream ads from the 1920s proved that the media’s coverage of YA has gotten 37% darker in the last year alone!
Now, I’m not advocating banning the Wall Street Journal. It has many fine articles in it I’m sure, some of which no doubt cite actual facts instead of the vague impressions of random people wandering YA sections. There are always exceptions, after all, even in newspapers named after the street that recently stole $700 billion of our money.
All I’m asking is that teenagers take an active role in discussing young adult lit with their parents.
Kids, you don’t want your parents’ first exposure to YA to be in the dingy recesses of a fear-mongering financial newspaper. It’s your job to help them understand how twitter hashtags work, what NaNoWriMo stands for, and how to do the nerdfighter hand signal. It’s your duty to introduce them gently to the lighter sides of fan fic, before they stumble across a cache of Snape dub-con Mpreg epic poetry. (Um, maybe just wait till your parents are older before tackling fan fic.)
In many cases, of course, your gentle persuasion may not be enough. Some parents are too easily influenced by frightening images of teenage culture gone awry. Darkness sells, after all. For these, a simple call to the Wall Street Journal will cancel your subscription, saving both money and heartache for your beloved parent. Be sure not to leave an empty space in their lives, however. Ease them over to something more wholesome, like, say, the School Library Journal. They’ll hardly notice the difference.
My main point is this: you understand young adult lit. You get how much it’s grown, how much it means to you. Make sure that your parents understand that too, and they’ll be ear-plugged against the profiteering panic-peddlers wailing like sirens on the rocky shoals of our culture.
Thank you for listening.
Okay, I only counted the first 150 votes, then skipped ahead to see if anyone else did, because counting is slow and annoying. So I’m using Ren W.’s count at comment 250:
Number 1 – 26
Number 2 – 18
Number 3 – 47
Number 4 – 123
These are more or less accurate, I’m sure, and I think we all know who won.
NUM-BER-FOUR! NUM-BER-FOUR!
So here it is in all its unredacted glory . . . “Kappa Surfacing”!

Keith Thompson
Click here for a GIGANTIC version, that will BLOW YOUR MIND when you zoom on it.
As you Pokémon fans have already pointed out, kappa are Japanese beasties. But they go back to before the Pokémon fad, of course, as part of Shinto folklore.
When I was your age, people often called Shinto “the national religion of Japan,” but these days it’s more common to call it “the indigenous spirituality of Japan.” The thing is, Shinto is a set of practices that come out of folklore and myths rather than a structured religion. There’s no single sacred text or founder figure, no Quran or Buddha or Bible, but it does have priests (male and female). It’s part of everyday Japanese life, both as a link to the traditional past and to nature and the divine.
So I figured that Japanese boffins would take their inspiration from creatures like kappa (who are water spirits), even if they were using the life threads of real creatures to make them.
What’s also interesting is that most people who practice Shinto are also Buddhists, Christians, or whatever. This Japanese readiness to mix outside cultural practices into their own (and to put an unexpected spin on them, as anyone who’s ever read manga can attest) is why I decided Japan had to be both a Darwinist AND a Clanker power.
(Yes, everyone in the modern world mixes up all sorts of stuff from outside cultures, but it seems like the Japanese are particularly awesome at it, and have been since at least the 1860s.)
Anyway, that was my thinking behind the kappa, and about how Japanese boffins would approach fabrication overall. Also, the Japanese Navy was bad-ass back then, so they had to look pretty scary too. And Keith is good at scary.
Keith News
If I haven’t mentioned it here before, Keith has an art blog now as well as his usual site.
There, you can buy big prints of two pieces from Goliath already! Both “Secrets in the Rookery” and “Crashing a Bash” are available.
