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Chicago and IRA

Thursday, April 22nd, 2010

Back in the US for two measly weeks, and already I’m getting back on a plane. To Chicago!

On Monday night I have a public event at Anderson’s Bookshop in Napierville with D. J. MacHale, author of the Pendragon series.

Here are the details:

Monday, April 26
7:00PM – 8:30PM
Scott Westerfeld & D. J. MacHale Joint Event
Anderson’s Bookshop
123 W. Jefferson • Naperville, IL 60540

Anyone can come to this event!

On Tuesday, though, I’m headed to the International Reading Association’s annual do, where I’ll be speaking on a panel and signing. You must have an event pass to get in to these next events (which means you’re probably a librarian or English teacher or something cool like that).

Tuesday, April 27
9:00 a.m. – 11:45 a.m.
Symposia: “The Illustrated Teen: An Intersection of Text and Image in Contemporary Young Adult Literature”
Featuring Scott Westerfeld, Holly Black, Henry Neff, Stephen Emond, and Elizabeth Patridge
Educators: Lisa Morris-Wilkey and Susannah Richards
Location: McCormick Place South Building • Room S403b

2:00 p.m. – 3:00 p.m.
Signing at the Simon & Schuster Booth (#1725)

Hope to see some of you Chicago folks there!

Update:

I’ll also be at Books of Wonder in NYC tomorrow, with Sarah Mylonowski, Justine Larbalestier, and D.J. MacHale!

Saturday, April 24
Noon-2PM
Books of Wonder
18 W. 18th St
New York, NY

BONUS Update:

Just got a sneak preview of the Italian cover for Leviathan. Non è molto
bella?

ItalianLeviathan

From Russia with Covers

Sunday, April 11th, 2010

A Russian fan recently directed me to this site, which gives a full accounting of books by my Russian alter-ego, Скотт Вестерфельд. (Technically, Скотт is not an alter-ego, given that he is, in fact, me. But I prefer to imagine him as an actual other person, reading this post and chuckling as he consumes champagne and caviar, surrounded by all the author’s copies that my Russian publishers never bother to send me.)

I’ve always enjoyed Скотт’s covers, which have a pulpish fabulosity that makes my own covers seem restrained, almost priggish, in comparison. So I thought a series of posts examining his work would be fun.

Let’s look first at Скотт’s Midnighters series. These books have had no fewer than three separate sets of covers. Whether this is because Скотт is astonishingly popular or simply because this series has never gained traction, I have no idea. (Someone would have to send me some royalty statements in order for me to take a guess. Hint, hint.)

Anyway, here are the first two Midnighters covers, published in 2006:
russianmidnighters

These covers are fairly true to the books in their details (13-pointed stars, small-town buildings, all sort of metal weaponry) but the central figures are somewhat bizarre. First note that Jonathan Martinez (um, Hispanic) and Jessica Day (textually a red head) are both blond and blue-eyed here. That’s whitewashing in its most aggressive form—Aryanization.

Also odd is the subway train looming up behind Dess in Book 2. Note to Russian artist: there are no subways in Bixby, Oklahoma. The stimulus bill wasn’t that big.

But it turns out that these covers have been replaced, so let’s move on. This is what they looked like in 2008:
russianmidnighters2

Holy guacamole, that’s a different look. The whitewashing is pretty much over with Jonathan, and Jess has arguably reddish hair. Of course, everyone is suddenly in bondage leather, which might not be strictly canonical (or even purchasable in small-town Oklahoma). But the energy in these covers is lovely.

I also like that Dess is on Book 1, while Jessica and Jonathan have been moved to Book 2. Because everyone likes Dess better. Plus, this Dess is much more awesome than wimpy oop-I-fell-over Dess from the first set of covers.

But this take on the series didn’t last either. A little book called Сумерки came out, which was about some dude who sparkled, and there was a sudden call for everything to look a bit more . . . vampire-y.

So these are the books in their current form:

russianmidnighters3

A little more urban fantasy, and apparently a bit more successful, given that we finally have a cover for Book 3 in this style:

mid3cru

So . . . Buffy. And yes, Jonathan has been white-washed again, but without blond hair at least.

It’s worth noting that these three covers have the least to do with the books. The 2006 and 2008 covers could be stared at after reading the books, and you’d find lots of little easter eggy details from the text. These are more generic.

Which brings me to a broader point: Everyone in marketing says that the most important thing a cover can do is sell the book to someone who knows nothing about the novel. In other words, a cover is merely advertising space, and doesn’t need to be true to the text, just eye-catching. But this notion misses what happens over the longer term.

If we readers can return to the cover after we’ve bought and consumed the novel and find new connections between word and image, it strengthens our bond with the book and the series as a whole. And the most important advertising for any novel is, after all, a satisfied reader. I wish publishers would get over the whole first-impression thing and think harder about long-term relationships. (Indeed, it would probably be nice if everyone would do this about almost everything. But that’s a bigger issue.)

In other words, I like the second set of covers best, pulp-tastic and yet mostly true to the story, and full of details from the text. Midnighters is, after all, more about kicking darkling ass than sparkly romance.

One day, my Russian publishers may send me royalty statements, and I can tell you whether or not this theory is full of bosh.

And for those of you who don’t know the Midnighters series, here are the current US covers:

midstripnew.jpg

I’ll be blogging the Russian Peeps, Uglies, and other covers soon. There are also a new set of UK covers for Midnighters in the works, and I’ll be touching on those as well.

Till then, enjoy.

The Moon Is Mine

Thursday, April 1st, 2010

I just got a new telescope. It’s happily snoozing in the guest room at the moment, and doesn’t wish to be photographed, but here’s a picture of the moon I took with it last night. This was with my iPhone camera held up to the eyepiece, so you’d think it would suck. But my telescope makes even this silly procedure AWESOME.

Observe:
moonshot

That’s a tiny bit of the moon, because from now on I am magnified. Must now learn the names of all the craters and snack bars on the moon.

Here are Four Other Things of possible interest:

Thing 1
The Uglies series is launching in Brazil this week, complete with a really cool website:

brazilugliesite

I love the look and feel of it, and hope it does well for my publisher there, Editora Record. If you speak any Portuguese, check it out here.

Thing 2
Just noticed that Behemoth has an Amazon page now, but no cover. (Amusing reviews for some other book are there at the moment.)

Thing 3
Justine are about to head back to NYC, where we have an event for Read This, a charity that collects books for people who need them, including schools, hospitals, homeless shelters, troops overseas, etc.

Justine Larbalestier, Bennett Madison,
Scott Westerfeld, & Cecily von Ziegesar
Reading and Q&A
12:30PM-1:15PM, Saturday, 10 April
Center for Fiction
17 E. 47th Street, Second floor
(between Madison & Fifth Ave.)
NY NY

The price of admission? Your donation of two or more new or gently used board books through grade 12. Cool idea, huh?

Thing 4
The next New York Review of Science Fiction Readings features three awesome YA authors!

Barry Lyga, Marie Rutkoski, & Robin Wasserman
curated by Carol Cooper

Tuesday, 6 April, Doors open 6:30 PM, event begins at 7:00 PM
SoHo Gallery for Digital Art
138 Sullivan Street (between Houston & Prince St.)

Admission is by a $5 donation. (If circumstances make this a hardship, let them know and they will accommodate you.)

Ada Lovelace Day!

Thursday, March 25th, 2010

I sort of missed it, but yesterday was Ada Lovelace Day!

adalovelace

Ada Lovelace, of course, is the patron saint of Dess, the hypernumerate character from my Midnighters series. She’s also one of the towering figures in the history of computing, given that she wrote the world’s first computer program . . . back in 1843. This achievement is as amazing as it sounds, given that the computer didn’t exist back then, except in theory. But that didn’t stop Ada.

It’s stories like this that make me realize that history itself can be quite steampunk. That is, ideas and technologies don’t all appear in a neat, predictable order. Sometimes theory gets ahead of practice in ways that are profound and mysterious, and imagination is never limited by the engineering capabilities of the present.

That’s a good thing to remember, so happy belated Ada Lovelace Day.

Also thanks to everyone at Marrickville High School, where I had a great visit yesterday. About 40 students (mostly Year 9s, or what us USians call freshmen) were stuck with me for about two hours. That’s a long stretch, but they all stayed focused and smart and full of brilliant questions.

Thanks for a great day, Marrickvillians, and good luck with your NAPLANs.

Support Alpha!

Sunday, March 21st, 2010

The Alpha Science Fiction/Fantasy/Horror Workshop for Young Writers is an annual retreat for twenty young writers (ages 14-19) who spend ten days working with professionals to improve their craft. It’s an awesome workshop, especially this year, because Holly Black and Tamora Pierce are two of the tutors.

Now, you may be thinking, I’d like to do that some day! Indeed you can, but not this year, because applications are already closed. However, you can support those who have been accepted this year, a few of whom need financial aid. The organizers are trying to raise a modest $2500 by selling a delightful zombie book called Ned and Zane Jane.

Zombies. Young writers. Brains. What more could you ask for?

Click here to learn more, chip in, and help spread the word. And here to learn more about Alpha.

Make sure to bookmark the spot. Maybe it’ll be you going there next year.

In other charity news, check out Maureen Johnson’s recent post on the work the Harry Potter Alliance is doing. Very awesome stuff.

Chat on Wednesday (Thursday in Oz)

Tuesday, March 16th, 2010

rgz chat ad March 2010

All times USian. In Australia, we’re talking Thursday, noon Sydney, 9am Perth.

And don’t forget I’ll be hanging out at Readergirlz all month.

In other news, check out the cover of Uglies in its Brazilian Portuguese version.

Feios_Capa 03 aberta

Leviathan on Readergirlz

Monday, March 1st, 2010

Starting today and for all of March, Leviathan will be the featured book on Readergirlz.

For those of you who don’t know the site, Readergirlz is a YA and middle-grade book reviews, chats, and inside scoops. Read their manifesta page for more.

For the whole month the site will have features about me and Leviathan, and I’ll be doing a chat there on March 17 (US time):

rgz chat ad March 2010

Hope you get a chance to check it out.

In other news, Leviathan has been short-listed for the Andre Norton Award for outstanding young adult science fiction or fantasy book published in 2009. w00t, and congrats to all the other nominees:

Hotel Under the Sand, Kage Baker
Ice, Sarah Beth Durst
Ash, Malinda Lo
Eyes Like Stars, Lisa Mantchev
Zoe’s Tale, John Scalzi
When You Reach Me, Rebecca Stead
The Girl Who Circumnavigated Fairyland, Catherynne M. Valente
Leviathan, Scott Westerfeld

And breaking news: Leviathan has also been short-listed for the Indie Next Book Award for 2010. Let the w00ting be redoubled!

Catching Fire, by Suzanne Collins (Scholastic)
Going Bovine, by Libba Bray (Delacorte Books for Young Readers)
If I Stay, by Gayle Forman (Dutton Juvenile)
Leviathan, by Scott Westerfeld, Keith Thompson (illus.) (Simon Pulse)
Shiver, by Maggie Stiefvater (Scholastic)
Wintergirls, by Laurie Halse Anderson (Viking Juvenile)

Reminder: Don’t forget, Sydneysiders, that I’ll be launching Foz Meadows‘ debut novel, Solace and Grief this Sunday, March 7. Click here for details.

Uglies Movie Update (4 realz)

Thursday, February 18th, 2010

Last week there was a short piece in MTV News’s Hollywood Crush last week about the Uglies movie. Let me quote it:

Industry sources have confirmed to MTV News exclusively that Screen Gems, in the wake of the success of its current release “Dear John,” is developing — and in fact, fast tracking (!) — a film version of “The Uglies” series.

While there haven’t been any decisions made regarding things like casting yet, we can tell you that our source said production of the movie is planned for later this year. That means we will all hopefully know soon enough who could be playing the beloved teen Tally Youngblood in the futuristic, meaningful tale about a dystopian society that places an incredible emphasis on looks.

Emphasis theirs. Here’s the rest.

In the words of my Hollywood agent, fast-tracking means, “it’s on the list of projects that they are hoping to make vs. the ones that will never see the light of day.” In other words, this is not a done deal. But it’s a lot better than being in that other, not-so-fast-tracked pile.

Now, some of you are no doubt asking about casting at this point. STOP! I’m the wrong person to ask. Trust me, if I hear anything I will tell you here on this blog, on FB, and on the Twitter machine. But in the meantime, I have nothing to do with casting movies.

If it were up to me, you would all get to play Tally for exactly three seconds of screen time. (And this would be why it’s not up to me.)

Plus, I doubt it’s as far along as this article makes it sound. Like, the casting isn’t going on right now. Probably.

Watch this space for more.

In other news!
If you live in Sydney, you can catch me at the launch for Foz Meadow’s debut novel, Solace and Grief.

It’s about a girl named Solace who has grown up in foster care her whole life, and who’s always realize that’s she’s kind of . . . different. She doesn’t like the sun, she’s wicked strong, and if she concentrates really hard, she can hear a conversation two blocks over. Then someone starts invading Solace’s dreams, and things get really complicated from there.

It looks like this:

solace-and-grief-front-cover

Here’s the launch deets:

Sunday, March 7
12:30PM

Kinokuniya Bookstore
Level 2, Galeries Victoria
500 George Street
Sydney NSW 2000

I’ll be giving a wee speech about how cool this book is. Of course, I’ll be more than happy to see you guys there and say hi. But please remember that this is Foz’s party, not mine, so buy her book!

It comes out in Australia on March 1. When it finds a US publisher, I’ll let you know.

And finally!
Sorry that I missed the latest Forum Meet-Up. It was scheduled for early Sunday morning, Sydney time, and I woke up ill. Too ill to type!

But I hope you all had fun. I’ll try to check out the questions you left me, and answer some of them here on the blog.

My apologies again.

My New Button

Thursday, February 4th, 2010

Here’s my new button for anyone who wants to buy my latest novel, Leviathan. Just select whatever retailer you want: Barnes & Noble, Indie Bound, Books a Million, Borders, Buy.com, Overstock.com, Powell’s, or Walmart.

Yep, that’s all of them.

Order Leviathan!  


Well, almost all of them. For reasons discussed here, there’s no Amazon link anymore. Sorry for any inconvenience, but trust me, it’s not as annoying for you as it is for the hundreds of authors who’ve had their income decimated by Amazon.

So, yes, I’ll steadily be deleting links to Amazon wherever they occur on this site. Making changes to code is my least favorite kind of internet fiddling to do, and I’ll getting more and more annoyed as I go.

I’m sure Amazon intends to re-friend Macmillan at some point, but I assure you, it will take me even longer to put these buttons back than it did to remove them all. This won’t starve either me or Jeff Bezos, but it’s the little things that count.

Update: On the afternoon of Friday, Feb 5, US time, Amazon at least re-listed the print versions of Macmillan titles. (Not the Kindle versions, apparently. But hey, that’s what being negotiated, so it makes at least some sense to have them down.) So Amazon’s entire snit fit was one week long.

As for those who question my use of the word “decimated,” it literally means to reduce by 10%, which is roughly the percentage of books that sell through Amazon. (Well okay, it literally means to reduce by 10% by execution, but still . . . )

In consideration for this re-listing by Amazon, my links to them will be restored in, let’s say, a week times the number of friends I have who publish with Macmillan. About half a year from now.

Zinc Blinked

Monday, February 1st, 2010

This is a bit out my usual blogging style, as it concerns technical aspects of the publishing biz. Feel free to ignore it and look at Stormwalkers made of Legos. But as an author, I have to keep up with these things, and occasionally make my opinion known.

This weekend, Amazon more or less “de-friended” one of the six big US publishers, Macmillan. They removed the buy buttons from all Macmillan books as part of an ongoing conflict about electronic book pricing. Many people are quite annoyed with Amazon, and a few are also blaming Macmillan, in a “pox on both your houses” kind of way. But I think a lot of people are uttering total yackum on the subject.

So let me attempt to set the record straight, as best I know how.

Stage 1: Amazon prices ALL its Kindle e-books at $9.99 or less. This becomes a selling point for Kindle, as new hardback books can cost up to $27. In some cases, Amazon is actually paying the publisher MORE than $9.99 per copy sold, and losing money. But, hey, Amazon has stacks of cash, and it’s a way to sell more Kindles. “Loss-leading,” as it’s called, is a fairly common practice. It’s a way to get people into the store, to leverage other products, etc. Plus, books are commonly discounted well below suggested price.

My Verdict: I don’t hate anyone yet, but I’m kind of sad. Losing money on every book sold is a very aggressive form of pricing, which indie bookstores will never be able to match. This is not going to be great for my bookseller allies in the physical world, where many of my readers (especially the youngest) like to get their books.

Stage 2: Macmillan (and many other publishers, to be sure, but let’s stick with Macmillan for simplicity of narrative) suggests to Amazon that they raise their Kindle-edition prices. Macmillan is worried that e-books are being devalued, and that customers will always expect this discount forever, when it’s currently being propped up by Amazon’s crazy-internet-bubble stacks of cash. Macmillan is also worried that normal bookstores, made of bricks and mortar, will take a hit as sales are lost to much cheaper electronic editions. These are difficult times for bookstores, and we (authors, readers, and publishers) all want a diverse bookselling ecology that includes chains and indies, as well as online and physical bookstores.

Macmillan also suggest something called the “agency model” to calculate what cut Amazon gets. I will not bore you with details, but it does change the way profits are divided between Amazon and Macmillan.

My Verdict: I still don’t hate anyone. It’s far-sighted of Macmillan (etc.) to take the needs of their smaller allies into account, rather than just saying, “Hey, Amazon’s selling at a loss, and we get to keep out usual profit! FTW!” (By the way, I know this is merely self-interest on Macmillan’s part, but at least it’s enlightened self interest, which is what I mean by “far-sighted”.) As for the agency model, Macmillan is certainly allowed to suggest new business arrangements to Amazon. As a bonus, it’s all fairly polite so far, or at least it hasn’t affected those of us on the outside world.

Stage 3: Amazon says, “Nope. We set out own prices. And we like the cut we’re getting now.”

My Verdict: Okay, I still don’t hate anyone. Amazon has the right to set prices (even if the pricing seems predatory to, say, an indie bookstore going through tough times) and to negotiate for the cut they’re taking. If they want to burn their own money to make electronic books cheaper, I may shake my head for the future, but I can’t stop them.

Stage 4: Macmillan says, “Fine, if you’re going to do that, we’re going to ‘deeply window’ our electronic editions.” In other words, Macmillan will delay the release date of electronic editions (Kindle editions in particular) so that they don’t cannibalize the more profitable hardcover sales.

My Verdict: This is cool with me. Publishers have always delayed lower-priced editions, like paperbacks, until the people who will pay $27 for a shiny new book have coughed up their money. This is not an evil strategy. It’s common with many products—clothing, music, gadgets, prescription medicine—early adopters pay more. Why? Because they’re the ones paying to defray the creation costs. (Which is ME!) Once that’s been done, later adopters can pay less by buying last year’s stuff (and cheap knock-offs). We’ve been lucky in publishing, because we have a physical distinction between what we sell early and late adopters (hardcovers and paperbacks). But this is not a given. In fact, in many industries, the reverse is true. (A later generation iPhone is both cheaper and better. A later, cheaper DVD release often has more extras on it.)

Many Kindle owners will get angry at this point, because they want to read new books NOW, not when the paperback comes out. But should they really be mad at Macmillan? As I said, publishers get to stage their pricing, starting high and gradually lowering it, to cover the costs of acquisition, editing, marketing, etc. And Macmillan would love to release its Kindle editions right away, but not at the risk of undercutting its hardcover sales and its physical bookstore allies. By insisting on low prices, Amazon has forcibly turned its Kindle customers into people who haunt the bargain basement and wear last year’s jeans. These customers simply didn’t realize this was happening, because Amazon’s industry muscle and huge stacks of cash were subsidizing them all along.

Stage 5: Amazon de-lists Macmillan, removing all buy buttons from both electronic and physical books from the publisher. This is done unilaterally, without warning or explanation (and on a Friday afternoon, when, supposedly, fewer people will notice). This deprives not only Macmillan but also their authors of both income and the accessibility of their works to readers.

My Verdict: I call SHENANIGANS!

Some have likened this de-listing as a “shock and awe” campaign, a stunning display of muscle power from an industry leader (or proto-monopoly). But I think it’s a bit more pathetic than that. It reminds me more of an educational film from an old Simpsons episode, the one with the tagline, “Sorry, Jimmy, but you said you wanted to live in a world without zinc!”

It’s like Macmillan woke up on an otherwise fine Saturday morning, and there was no more Amazon! Wow, that‘ll teach you to negotiate, rather than just caving.

Of course, in this case, zinc blinked. Amazon has admitted that they will re-list Macmillan, because an online bookstore that sells only five-sixths of all books is somewhat useless.

So to the “a pox on both your houses, Macmillan and Amazon” crowd, I must say that I think your analysis is lazy. This is not a case of two corporations pissing down on us mere mortals with equal disdain; it’s a case of complex negotiations in an ancient industry with many arcane traditions that’s in a state of technological flux, being conducted at a level which the overwhelming majority of readers do not understand (nor should they have to), and which were going along in a way that made, frankly, perfect sense to those of us who understand this industry a little, when suddenly, out of the blue, one of the sides in this negotiation spat their pacifier across the room in a very public and embarrassing display of petulance. And that corporation was Amazon.

Yes, Amazon gets to set whatever prices it wants. (Free market!) But guess what, Macmillan also gets to release its electronic editions later if it feels simultaneous release is not in its best interests and those of its allies. (Free market again, sir!) And yes, Amazon gets to de-list an entire publisher if it wants to, even on a whim. But that’s a massive free market fail, because authors, customers, and publishers start to hate them, and they have to back down two days later. And that’s really the end of it: their strategy failed, because the rest of us can call shenanigans and take our business elsewhere.

Oh, wait, except Kindle owners . . .

________

A quick note: All discussions of this event will draw commenters who think they magically know how books should be priced, and who say there is no reason for electronic editions to be more than $9.99. A quick note to them: You don’t know what you’re talking about. Seriously, your back-of-the-envelope calculations are crap. The printing costs of a book are generally between 3% and 10% of list price. So in most cases, 10% should be your “first-printing” e-book discount, not 50%. That may seem weird to you, but that’s because all the cheap stuff on the internet is backlist (like Baen Books), subsidized/coerced (like Amazon), self-published (no editing or marketing costs), or promotional (like when I gave Uglies away for free). Yes, the “long tail” of backlist books may become very cheap, or free, but not the new stuff, which is what this discussion is all about. (UPDATE: Also, see comments 1 and 9.)

And full disclosure: Most of my books, and the vast majority of my sales, are with publishers other than Macmillan. But two, The Risen Empire and The Killing of Worlds, are Tor books, a Macmillan imprint. They are, however, still available on Amazon due to their bargain bin status. *sobs*

Update: Regarding the last line of the post proper, I have been reminded that Kindle owners can put non-Amazon books on their readers. But much of the utility of the Kindle comes from the instant, wireless purchases, which are only through Amazon. So the point stands, but only partly.

Update 2:

According to commenters, certain Kindle books are priced higher than $9.99. Those aren’t the books this issue is about, really, but for the sake of completeness, it is duly noted.

Tobias Buckell is wicked smart about this kerfuffle. Read his take here. Also, go buy his books.

Charles Stross is smart about, um, everything. Here’s his take.

PS
Hey, Amazon. When cutting off publishers, don’t start with the one that has the most science fiction writers. We will blog you dead!

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As you can see, my website has had its first makeover in many years. This is to celebrate the fact that my first new series in years, Leviathan, comes out this autumn. (October 6, to be exact.)

Things may be wonky for a while as we play around under the hood. But I hope you enjoy the new look. Let me know what you think!

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