Ada Lovelace Day!

I sort of missed it, but yesterday was Ada Lovelace Day!

adalovelace

Ada Lovelace, of course, is the patron saint of Dess, the hypernumerate character from my Midnighters series. She’s also one of the towering figures in the history of computing, given that she wrote the world’s first computer program . . . back in 1843. This achievement is as amazing as it sounds, given that the computer didn’t exist back then, except in theory. But that didn’t stop Ada.

It’s stories like this that make me realize that history itself can be quite steampunk. That is, ideas and technologies don’t all appear in a neat, predictable order. Sometimes theory gets ahead of practice in ways that are profound and mysterious, and imagination is never limited by the engineering capabilities of the present.

That’s a good thing to remember, so happy belated Ada Lovelace Day.

Also thanks to everyone at Marrickville High School, where I had a great visit yesterday. About 40 students (mostly Year 9s, or what us USians call freshmen) were stuck with me for about two hours. That’s a long stretch, but they all stayed focused and smart and full of brilliant questions.

Thanks for a great day, Marrickvillians, and good luck with your NAPLANs.

Support Alpha!

The Alpha Science Fiction/Fantasy/Horror Workshop for Young Writers is an annual retreat for twenty young writers (ages 14-19) who spend ten days working with professionals to improve their craft. It’s an awesome workshop, especially this year, because Holly Black and Tamora Pierce are two of the tutors.

Now, you may be thinking, I’d like to do that some day! Indeed you can, but not this year, because applications are already closed. However, you can support those who have been accepted this year, a few of whom need financial aid. The organizers are trying to raise a modest $2500 by selling a delightful zombie book called Ned and Zane Jane.

Zombies. Young writers. Brains. What more could you ask for?

Click here to learn more, chip in, and help spread the word. And here to learn more about Alpha.

Make sure to bookmark the spot. Maybe it’ll be you going there next year.

In other charity news, check out Maureen Johnson’s recent post on the work the Harry Potter Alliance is doing. Very awesome stuff.

Leviathan on Readergirlz

Starting today and for all of March, Leviathan will be the featured book on Readergirlz.

For those of you who don’t know the site, Readergirlz is a YA and middle-grade book reviews, chats, and inside scoops. Read their manifesta page for more.

For the whole month the site will have features about me and Leviathan, and I’ll be doing a chat there on March 17 (US time):

rgz chat ad March 2010

Hope you get a chance to check it out.

In other news, Leviathan has been short-listed for the Andre Norton Award for outstanding young adult science fiction or fantasy book published in 2009. w00t, and congrats to all the other nominees:

Hotel Under the Sand, Kage Baker
Ice, Sarah Beth Durst
Ash, Malinda Lo
Eyes Like Stars, Lisa Mantchev
Zoe’s Tale, John Scalzi
When You Reach Me, Rebecca Stead
The Girl Who Circumnavigated Fairyland, Catherynne M. Valente
Leviathan, Scott Westerfeld

And breaking news: Leviathan has also been short-listed for the Indie Next Book Award for 2010. Let the w00ting be redoubled!

Catching Fire, by Suzanne Collins (Scholastic)
Going Bovine, by Libba Bray (Delacorte Books for Young Readers)
If I Stay, by Gayle Forman (Dutton Juvenile)
Leviathan, by Scott Westerfeld, Keith Thompson (illus.) (Simon Pulse)
Shiver, by Maggie Stiefvater (Scholastic)
Wintergirls, by Laurie Halse Anderson (Viking Juvenile)

Reminder: Don’t forget, Sydneysiders, that I’ll be launching Foz Meadows‘ debut novel, Solace and Grief this Sunday, March 7. Click here for details.

Uglies Movie Update (4 realz)

Last week there was a short piece in MTV News’s Hollywood Crush last week about the Uglies movie. Let me quote it:

Industry sources have confirmed to MTV News exclusively that Screen Gems, in the wake of the success of its current release “Dear John,” is developing — and in fact, fast tracking (!) — a film version of “The Uglies” series.

While there haven’t been any decisions made regarding things like casting yet, we can tell you that our source said production of the movie is planned for later this year. That means we will all hopefully know soon enough who could be playing the beloved teen Tally Youngblood in the futuristic, meaningful tale about a dystopian society that places an incredible emphasis on looks.

Emphasis theirs. Here’s the rest.

In the words of my Hollywood agent, fast-tracking means, “it’s on the list of projects that they are hoping to make vs. the ones that will never see the light of day.” In other words, this is not a done deal. But it’s a lot better than being in that other, not-so-fast-tracked pile.

Now, some of you are no doubt asking about casting at this point. STOP! I’m the wrong person to ask. Trust me, if I hear anything I will tell you here on this blog, on FB, and on the Twitter machine. But in the meantime, I have nothing to do with casting movies.

If it were up to me, you would all get to play Tally for exactly three seconds of screen time. (And this would be why it’s not up to me.)

Plus, I doubt it’s as far along as this article makes it sound. Like, the casting isn’t going on right now. Probably.

Watch this space for more.

In other news!
If you live in Sydney, you can catch me at the launch for Foz Meadow’s debut novel, Solace and Grief.

It’s about a girl named Solace who has grown up in foster care her whole life, and who’s always realize that’s she’s kind of . . . different. She doesn’t like the sun, she’s wicked strong, and if she concentrates really hard, she can hear a conversation two blocks over. Then someone starts invading Solace’s dreams, and things get really complicated from there.

It looks like this:

solace-and-grief-front-cover

Here’s the launch deets:

Sunday, March 7
12:30PM

Kinokuniya Bookstore
Level 2, Galeries Victoria
500 George Street
Sydney NSW 2000

I’ll be giving a wee speech about how cool this book is. Of course, I’ll be more than happy to see you guys there and say hi. But please remember that this is Foz’s party, not mine, so buy her book!

It comes out in Australia on March 1. When it finds a US publisher, I’ll let you know.

And finally!
Sorry that I missed the latest Forum Meet-Up. It was scheduled for early Sunday morning, Sydney time, and I woke up ill. Too ill to type!

But I hope you all had fun. I’ll try to check out the questions you left me, and answer some of them here on the blog.

My apologies again.

My New Button

Here’s my new button for anyone who wants to buy my latest novel, Leviathan. Just select whatever retailer you want: Barnes & Noble, Indie Bound, Books a Million, Borders, Buy.com, Overstock.com, Powell’s, or Walmart.

Yep, that’s all of them.

Order Leviathan!  



Well, almost all of them. For reasons discussed here, there’s no Amazon link anymore. Sorry for any inconvenience, but trust me, it’s not as annoying for you as it is for the hundreds of authors who’ve had their income decimated by Amazon. (NOTE: The meaning of decimate is to reduce a tenth, which is about the percentage of sales that Amazon represents.)

So, yes, I’ll steadily be deleting links to Amazon wherever they occur on this site. Making changes to code is my least favorite kind of internet fiddling to do, and I’ll getting more and more annoyed as I go.

I’m sure Amazon intends to re-friend Macmillan at some point, but I assure you, it will take me even longer to put these buttons back than it did to remove them all. This won’t starve either me or Jeff Bezos, but it’s the little things that count.

Update: On the afternoon of Friday, Feb 5, US time, Amazon at least re-listed the print versions of Macmillan titles. (Not the Kindle versions, apparently. But hey, that’s what being negotiated, so it makes at least some sense to have them down.) So Amazon’s entire snit fit was one week long.

As for those who question my use of the word “decimated,” it literally means to reduce by 10%, which is roughly the percentage of books that sell through Amazon. (Well okay, it literally means to reduce by 10% by execution, but still . . . )

In consideration for this re-listing by Amazon, my links to them will be restored in, let’s say, a week times the number of friends I have who publish with Macmillan. About half a year from now.

Update 2:
It’s August 10, 2010, and I’ve put the Amazon buttons back. Let us never fight again.

Zinc Blinked

This is a bit out my usual blogging style, as it concerns technical aspects of the publishing biz. Feel free to ignore it and look at Stormwalkers made of Legos. But as an author, I have to keep up with these things, and occasionally make my opinion known.

This weekend, Amazon more or less “de-friended” one of the six big US publishers, Macmillan. They removed the buy buttons from all Macmillan books as part of an ongoing conflict about electronic book pricing. Many people are quite annoyed with Amazon, and a few are also blaming Macmillan, in a “pox on both your houses” kind of way. But I think a lot of people are uttering total yackum on the subject.

So let me attempt to set the record straight, as best I know how.

Stage 1: Amazon prices ALL its Kindle e-books at $9.99 or less. This becomes a selling point for Kindle, as new hardback books can cost up to $27. In some cases, Amazon is actually paying the publisher MORE than $9.99 per copy sold, and losing money. But, hey, Amazon has stacks of cash, and it’s a way to sell more Kindles. “Loss-leading,” as it’s called, is a fairly common practice. It’s a way to get people into the store, to leverage other products, etc. Plus, books are commonly discounted well below suggested price.

My Verdict: I don’t hate anyone yet, but I’m kind of sad. Losing money on every book sold is a very aggressive form of pricing, which indie bookstores will never be able to match. This is not going to be great for my bookseller allies in the physical world, where many of my readers (especially the youngest) like to get their books.

Stage 2: Macmillan (and many other publishers, to be sure, but let’s stick with Macmillan for simplicity of narrative) suggests to Amazon that they raise their Kindle-edition prices. Macmillan is worried that e-books are being devalued, and that customers will always expect this discount forever, when it’s currently being propped up by Amazon’s crazy-internet-bubble stacks of cash. Macmillan is also worried that normal bookstores, made of bricks and mortar, will take a hit as sales are lost to much cheaper electronic editions. These are difficult times for bookstores, and we (authors, readers, and publishers) all want a diverse bookselling ecology that includes chains and indies, as well as online and physical bookstores.

Macmillan also suggest something called the “agency model” to calculate what cut Amazon gets. I will not bore you with details, but it does change the way profits are divided between Amazon and Macmillan.

My Verdict: I still don’t hate anyone. It’s far-sighted of Macmillan (etc.) to take the needs of their smaller allies into account, rather than just saying, “Hey, Amazon’s selling at a loss, and we get to keep out usual profit! FTW!” (By the way, I know this is merely self-interest on Macmillan’s part, but at least it’s enlightened self interest, which is what I mean by “far-sighted”.) As for the agency model, Macmillan is certainly allowed to suggest new business arrangements to Amazon. As a bonus, it’s all fairly polite so far, or at least it hasn’t affected those of us on the outside world.

Stage 3: Amazon says, “Nope. We set out own prices. And we like the cut we’re getting now.”

My Verdict: Okay, I still don’t hate anyone. Amazon has the right to set prices (even if the pricing seems predatory to, say, an indie bookstore going through tough times) and to negotiate for the cut they’re taking. If they want to burn their own money to make electronic books cheaper, I may shake my head for the future, but I can’t stop them.

Stage 4: Macmillan says, “Fine, if you’re going to do that, we’re going to ‘deeply window’ our electronic editions.” In other words, Macmillan will delay the release date of electronic editions (Kindle editions in particular) so that they don’t cannibalize the more profitable hardcover sales.

My Verdict: This is cool with me. Publishers have always delayed lower-priced editions, like paperbacks, until the people who will pay $27 for a shiny new book have coughed up their money. This is not an evil strategy. It’s common with many products—clothing, music, gadgets, prescription medicine—early adopters pay more. Why? Because they’re the ones paying to defray the creation costs. (Which is ME!) Once that’s been done, later adopters can pay less by buying last year’s stuff (and cheap knock-offs). We’ve been lucky in publishing, because we have a physical distinction between what we sell early and late adopters (hardcovers and paperbacks). But this is not a given. In fact, in many industries, the reverse is true. (A later generation iPhone is both cheaper and better. A later, cheaper DVD release often has more extras on it.)

Many Kindle owners will get angry at this point, because they want to read new books NOW, not when the paperback comes out. But should they really be mad at Macmillan? As I said, publishers get to stage their pricing, starting high and gradually lowering it, to cover the costs of acquisition, editing, marketing, etc. And Macmillan would love to release its Kindle editions right away, but not at the risk of undercutting its hardcover sales and its physical bookstore allies. By insisting on low prices, Amazon has forcibly turned its Kindle customers into people who haunt the bargain basement and wear last year’s jeans. These customers simply didn’t realize this was happening, because Amazon’s industry muscle and huge stacks of cash were subsidizing them all along.

Stage 5: Amazon de-lists Macmillan, removing all buy buttons from both electronic and physical books from the publisher. This is done unilaterally, without warning or explanation (and on a Friday afternoon, when, supposedly, fewer people will notice). This deprives not only Macmillan but also their authors of both income and the accessibility of their works to readers.

My Verdict: I call SHENANIGANS!

Some have likened this de-listing as a “shock and awe” campaign, a stunning display of muscle power from an industry leader (or proto-monopoly). But I think it’s a bit more pathetic than that. It reminds me more of an educational film from an old Simpsons episode, the one with the tagline, “Sorry, Jimmy, but you said you wanted to live in a world without zinc!”

It’s like Macmillan woke up on an otherwise fine Saturday morning, and there was no more Amazon! Wow, that‘ll teach you to negotiate, rather than just caving.

Of course, in this case, zinc blinked. Amazon has admitted that they will re-list Macmillan, because an online bookstore that sells only five-sixths of all books is somewhat useless.

So to the “a pox on both your houses, Macmillan and Amazon” crowd, I must say that I think your analysis is lazy. This is not a case of two corporations pissing down on us mere mortals with equal disdain; it’s a case of complex negotiations in an ancient industry with many arcane traditions that’s in a state of technological flux, being conducted at a level which the overwhelming majority of readers do not understand (nor should they have to), and which were going along in a way that made, frankly, perfect sense to those of us who understand this industry a little, when suddenly, out of the blue, one of the sides in this negotiation spat their pacifier across the room in a very public and embarrassing display of petulance. And that corporation was Amazon.

Yes, Amazon gets to set whatever prices it wants. (Free market!) But guess what, Macmillan also gets to release its electronic editions later if it feels simultaneous release is not in its best interests and those of its allies. (Free market again, sir!) And yes, Amazon gets to de-list an entire publisher if it wants to, even on a whim. But that’s a massive free market fail, because authors, customers, and publishers start to hate them, and they have to back down two days later. And that’s really the end of it: their strategy failed, because the rest of us can call shenanigans and take our business elsewhere.

Oh, wait, except Kindle owners . . .

________

A quick note: All discussions of this event will draw commenters who think they magically know how books should be priced, and who say there is no reason for electronic editions to be more than $9.99. A quick note to them: You don’t know what you’re talking about. Seriously, your back-of-the-envelope calculations are crap. The printing costs of a book are generally between 3% and 10% of list price. So in most cases, 10% should be your “first-printing” e-book discount, not 50%. That may seem weird to you, but that’s because all the cheap stuff on the internet is backlist (like Baen Books), subsidized/coerced (like Amazon), self-published (no editing or marketing costs), or promotional (like when I gave Uglies away for free). Yes, the “long tail” of backlist books may become very cheap, or free, but not the new stuff, which is what this discussion is all about. (UPDATE: Also, see comments 1 and 9.)

And full disclosure: Most of my books, and the vast majority of my sales, are with publishers other than Macmillan. But two, The Risen Empire and The Killing of Worlds, are Tor books, a Macmillan imprint. They are, however, still available on Amazon due to their bargain bin status. *sobs*

Update: Regarding the last line of the post proper, I have been reminded that Kindle owners can put non-Amazon books on their readers. But much of the utility of the Kindle comes from the instant, wireless purchases, which are only through Amazon. So the point stands, but only partly.

Update 2:

According to commenters, certain Kindle books are priced higher than $9.99. Those aren’t the books this issue is about, really, but for the sake of completeness, it is duly noted.

Tobias Buckell is wicked smart about this kerfuffle. Read his take here. Also, go buy his books.

Charles Stross is smart about, um, everything. Here’s his take.

PS
Hey, Amazon. When cutting off publishers, don’t start with the one that has the most science fiction writers. We will blog you dead!

Brisbane! (etc.)

Four Five things to talk about here, starting with an appearance! (UPDATE!)

Thing One
Leviathan has been nominated for an Aurealis Award, so Justine and I are headed up to Brisbane this weekend for the ceremony. We’ll also be doing an appearance at Pulp Fiction Books on Saturday at 11:30AM.

But it’s not just us. A whole crew of SF and fantasy writers will be descending that day. Check out this list:

Pulp Fiction
Shops 28-29
Anzac Square Arcade265-269 Edward St
Brisbane QLD 4000 (map)
(07) 3236 2750‎

Saturday, January 23, 2010
Trudi Canavan and Kaaron Warren, 10:30-11:30
Justine Larbalestier, Scott Westerfeld and Sean Williams, 11:30-12:30
Karen Miller and Glenda Larke, 12:30-1:30
Pamela Freeman and Katie Taylor, 2:30-3:30

It’s all very informal. Just come by and say hello. Brings books to be signed or buy them in the store. (You can also buy tickets to the award ceremony that night.)

Thing Two
I haz a wine:

sv8x

My lovely Oz publisher, Penguin Australia, gave this to me. It’s a Barolo Valley Shiraz, if you’re interested.

Thing Three
Keith Thompson, illustrator of Leviathan, haz a sketchbook for iPhone, which you can buy at the iTunes Store. It looks like this:

keithssketchbook

None of these images are from Leviathan, but they are in color. It’s a nifty little collector’s item.

Thing Four
Congrats to everyone who took home Printz and Newberry Honors yesterday!

Special congrats go to Libba Bray, who won the Michael L. Printz Award for 2009’s Best YA, for Going Bovine. And Rebecca Stead, who won the Newberry for When You Reach Me.

Let the w00ting commence!

Thing Five
For all you non-monoglots out there, here’s an interview with me in Spanish.

Another, in Italian, is coming soon.

Nano Tip #11: Passages of Disbelief

Welcome to another tip for all you NaNoWriMo-ers out there. I’ll be dolling out writing advice every odd-numbered day of November, and Justine will take on the even-numbered days. Don’t forget to check out Justine’s tip from yesterday, about not skipping the tricky parts.

But before I get started, you might be interested in this essay by me on John Scalzi’s site, the Whatever. It’s about working on Leviathan with Keith, and about illustrated books in general.

It also reveals a delicious new piece of art from Leviathan, so let me repost it here:

captainhobbes

This is the captain of the Leviathan in his office, and that’s Deryn saluting. Notice the nautilus-shell theme running throughout the picture. Keith and I decided early on that all the Darwinist designs would echo living creatures, even furniture and jewelry. (Check out the captain’s cufflinks and hat.) Clanker design is, of course, very different, with everything echoing machines and mechanical parts. Not just two sides at war, but two aesthetics!

Okay, now onto the Nano Tip . . .

nanotips

Let’s talk about “Passages of Disbelief.” That’s my own pet name for the part of a fantasy (or horror, or sf, or whatever) where the main character realizes that paranormal stuff is happening. The part where they say to themselves, “Holy crap! Vampires (or elves, or aliens, or whatever) are REAL!”

Passages of Disbelief (PODs) can be very problematic for a writer for the following reasons:

1) The average fantasy reader had already read dozens of PODs. Hundreds of them. We are bored with them.

2) The reader already knows that vampires, aliens, or whatever are real in the fictional world, because they read the back of the book. It’s not news.

3) If vampires really did turn out to be real, most people’s reaction would be to say, “Holy crap, just like in [insert name of fictional vampire franchise].” And there’s something unsatisfying about characters in books referencing other books of the same genre. Like when people in bad sf movies say, “Wow, this is like something out of a bad science fiction movie.”

Now, obviously there are many so-called “open fantasies.” In True Blood, everyone knows there are vampires. In Lord of the Rings, everyone knows there are elves. So if you simply decide to write an open fantasy, you can skip the POD.

But sometimes you want the fantastical elements of your story need to be “closed,” hidden from the world at large, mysterious and amazing. So how do you deal with PODs in an artful and interesting way?

Well, you can always steal tricks from other people. I’ve written a whole essay about how PODs work in Buffy the Vampire Slayer. (You can read the essay online this week for free. It’s from an old anthology by SmartPop, who are the publishers of Mind-Rain.)

To make your thievery easy, here are the most common tricks for Passages of Disbelief:

One: Use Humor
Comedy can make a POD into something new and hilarious. You can take advantage of your readers’ familiarity with POD scenes, by taking their expectations and subverting them.

But this approach has a big problem: many, many writers have already done it. (See my Buffy essay above.) You will have to work hard to top them, and not sound like someone telling an over-familiar joke.

Two: Start Your Story After the POD
If your character has already been recruited into the alien-slaying guild before the first page, then there’s no need for a POD. You just start out with your character explaining alien slaying to the reader in a matter-of-fact-way.

Sure, a quick flashback to the day your protag first learned about the Secret Alien Invasion might be warranted at some point, but that’s much less onerous than a whole real-time scene.

The problem here is that in a closed fantasy, you’ll eventually run into a secondary character’s POD. Like, when your alien-slayer’s boyfriend (or mom, or parole officer) finds out about the aliens. Then you’ll have to deal with it anyway!

So here’s the ultimate answer the POD problem:

Three: Make Sure Your Ideas Are Mind-Boggingly Original
Here’s the thing: If you’re original enough, your reader will ALSO be going through a Passage of Disbelief along with the character. Whatever they’ve read on the back of the book or heard from friends will pale in comparison to your brilliant new take on fantasy. And they will NOT be bored.

Instead of saying, “Here we go again,” they’ll be shrieking, “Holy crap! Alien vampire werewolves from Poughkeepsie! I never saw that coming!”

I’m afraid that this little trick the only real answer to PODs. In a world swimming with paranormal stories, if you aren’t genuinely freaking your reader out, your main character’s little freak out will only be so much wasted ink.

See you in two days! In the meantime, don’t forget to check out Justine’s tip tomorrow. And if you haven’t already, click here to buy Leviathan, or grab it at your local bookstore.

Yo, Canada

Okay, so the Canadian segment of the Leviathan tour starts next week.

Flag_of_Canada.svg

One cool thing is that I’ll be appearing with Cassandra Clare (author of the Mortal Instruments series) and Holly Black (author of Tithe, Good Neighbors, and the Spiderwick books). On top of that, the Ottawa event has bonus special guest Keith Thompson, illustrator of Leviathan!

I’ve only done one event in Canada before, in Toronto, so I’ll be meeting a lot of you for the first time.

Here are the dates:

Montreal
Wednesday, November 4th 7:00PM
Chapters Pointe-Claire
6321 Trans-Canada Highway, unit 1410
(514) 428-5500

Ottawa
Thursday, November 5th 7:00PM
Chapters Rideau
47 Rideau Street,
Ottawa, Ontario
(613) 241-0073

Toronto
Friday November 6th 7:00PM
Trinity St. Paul’s United Church
427 Bloor Street West
Because Toronto is an off-site event, admission is five Canadian bucks. You can buy the tickets right here. You can also pay at the door, if there are any seats left!

See you there!

Note that the week after next (November 8-12) I’ll be doing events in NY and NJ. And I’ll be doing a benefit for Philadelphia’s library system on November 22, at Children’s Book World in Haverford, PA. Watch here for details.

Justine will be in Chicago next week, talking about her new book Liar.

Tues, 3 November, 7:00 pm
B&N Skokie
55 Old Orchard Center

Skokie, IL

Wednesday, 4 November, 7:00PM
Anderson’s Bookshop
5112 Main St

Downers Grove, IL

Order Leviathan here!  


Also available on eBook.

And you can also buy Leviathan prints from the artist.