Midnighters Comics

Recently on Morgan’s Midnighters fan site, I came across this awesome bit of fan art by Brianne K. It’s a sort of manga-esque version of Midnighters, my trilogy about the adventures of a disfunctional gang of Oklahoma goths in a small town where time freezes every midnight. (How’s that for a pitch?)

I love that the comic is written from Dess’s point of view, because she’s my favorite character. It’s also cool that Brianne doesn’t follow the book’s storyline—she’s just having fun with the characters. Her visualization of Melissa is great, especially that Mona Lisa smile on page 2. That’s Melissa and Rex above, in case you haven’t read the series.

The only drawback of the comic is that it’s only two pages long! But maybe if you click below to read the whole thing, and leave suitably rapturous comments right here, we can convince Brianne to do MORE. (The power of fanfic compels you! The power of fanfic compels you!)

page 1

page 2

And don’t forget to check out all the other cool stuff at Morgan’s site.

Publishing Schedule/Casting Contest (Updated)

A quick post to answer many of your questions in posts and via email (and a contest).

Midnighters comes out March 1, 2006.

Uglies comes out May something, 2006.

The sequel to Peeps comes out late August in 2006.

The Midnighters TV show is an option the WB owns. So far, it’s in a holding pattern for a possible Fall 2006 pilot.

The movie deal of Book X is still with attorneys. I will let you know once that’s all over.

And now for the contest, which has two options. You can:

Cast the Movie
If you want to guess about the movie deal, feel free to use this comment thread to do so. But you can’t just guess which book is going to be (maybe) made into a movie. You also have to cast at least one part!

To win:
a) You must get the title of the book right.
b) Your casting choice must amuse or edify me.

And you can also:

Guess the Producer

To win:
a) You must get the title of the book right.
b) You must also name a title of a previous movie produced by the person who is buying the rights to make a movie of my book.

Make only one guess for each game, please. Do not enter if I told you already (duh).

Winners both get: Something that you don’t already own from my author’s copies bookshelf, signed to them by me.

(And if it turns out that someone actually gets a casting choice right, I will give them something really cool.)

Midnighters from Russia

I just semi-randomly discovered this online. It looks suspiciously like a cover for Midnighters from Russia!

That’s my name on top. I happen to know from previous translations that Ckott=Scott. And it sure looks like Jessica wielding Jurisprudence and Rex (Jonathan?) with some sort of heavy Dess-made weaponry.

But why is Jessica blond? And Rex sandy-haired? (Dude, if it’s Jonathan, he doesn’t look very Hispanic.) And both of them are kind of old. And that car antenna is mighty hefty . . . don’t they have those in Russia?

I love the slithers, though, and the dark moon looming. And the word “Midnighters” totally rules in that spiky cyrillic font.

There’s a kind of Hardy-Boy literalness to the cover that I like, and I can’t wait to see the next two in the series. Just think, maybe we’ll get a picture of the halfling!

It’s almost like writing comics . . .

Midnighters UK

I am currently suffering from Martian Death Plague, a hideous form of flu that has kept Justine and I home from the World Fantasy Convention. Being sick blows, but at least I have a few things to post about.

The first is this cover for the UK/Australia version of Midnighters:

As you can see, it’s the moody image from the back of the US cover, which I’ve always liked. Of course, Garth’s quote is prominent, because he is huge in the UK and Australia. The coolest thing is that the spines of all three books will form a clock face when you put them on the shelf together. (I love that kind of thing.)

The trilogy is coming out one-two-three next year, one book each in April, August, and November. (At least I won’t be getting tons of emails begging me to write faster.) For you UK readers, the publisher is Atom. I’ll post the other covers as they appear.

In other news, watch this space for three exciting announcements coming soon:
1. A fab new Peeps cover for the Aussie edition.
2. A first glimpse of the Specials cover.
3. A movie deal, which I can’t tell you about yet. But soon!

Now I’m going back to being sick. Take your vitamins.

I Love the Tribe

We just got back from Worldcon 2005 at Glasgow, and I’ve been reading through the blogs of various friends checking for mentions of me, like a senior counting pictures in a school yearbook. Having come home to three lovely houseguests, I don’t have time for my own detailed con report, so sorry if you’re combing this blog for a mention of yourself. But I will proclaim these words:

I love the tribe. I went to parties where almost every conversation was fascinating. I can meet at least ten cool new people in a matter of four days. The future is in good hands.


The Hugo Awards happened here, yo.

What I’ve realized is that a science fiction convention has the same emotional arc as a really excellent five-day wedding. The pre-travel wondering if you can get out of it. The reunions with con-friends, whom you see as infrequently and love as much (and can tease as hard) as family. The cool new people you bond with over the parties, ritual gatherings, not enough sleep and too much drinking. The central event you get dressed up for—Hugo Awards Ceremony, World Fantasy or Nebula Awards Banquet, the Tiptree Auction—that you’ve all supposedly come long distances for. And those parties after the Big Event, your last chance to drink a lot and proclaim that the marriage is doomed, or that the Hugo went to the wrong short dramatic presentation.

And like a really fabulous extended wedding, I am always a bit mushy at the end. Leaving all those new and old friends is painful, and coming back into the real world can be a bit harsh. Especially dealing with all those outsiders who are so indifferent to the special rules of the place where you’ve just been.

Take, for example, coming home to the New York Times’ review of Kelly Link’s new book, which was generally positive but contains this astonishingly mundane line about her story “Zombie Contingency Plans”: “The premise is fresh and the characters are likable . . . but . . . those zombies–are they supposed to be a metaphor?”

Argh. Are those not of the Tribe really so dim-witted? Are our skiffy reading protocols really so hard to understand?

Allow me too explain, Mr. Non-sf-Reading Reviewer Man. Sure, zombies can “be a metaphor.” They can represent the oppressed, as in Land of the Dead, or humanity’s feral nature, as in 28 Days Later. Or racial politics or fear of contagion or even the consumer unconscious (Night of the Living Dead, Resident Evil, Dawn of the Dead). We could play this game all night.

But really, zombies are not “supposed to be metaphors.” They’re supposed to be friggin’ zombies. They follow the Zombie Rules: they rise from death to eat the flesh of the living, they shuffle in slow pursuit (or should, anyway), and most important, they multiply exponentially. They bring civilization down, taking all but the most resourceful, lucky and well-armed among us, whom they save for last. They make us the hunted; all of us.

That’s the stuff zombies are supposed to do. Yes, they make excellent symbols, and metaphors, and have kick-ass mythopoeic resonance to boot. But their main job is to follow genre conventions, to play with and expand the Zombie Rules, to make us begin to see the world as a place colored by our own zombie contingency plans.

That’s why I spent last weekend drinking Scottish ale and discussing in great detail the seven different kinds of elasticity in time travel, the four major flavors of alternate technological history, the author’s duty of care in making military far-future hierarchies believable, and which nationalities of vampires can go out in the sun (Japanese, Swedish, discuss). And yes, I did spend some time talking about how I’d get out of the Glasgow Hilton hotel bar in case of zombie attack.

Don’t you see why this is more vitally important than your poxy metaphors, Mr. Times-Reviewer-Man?

Stories are the original virtual reality device; their internal rules spread out into reality around us like a bite-transmitted virus, slowly but inexorably consuming its flesh. They don’t just stand around “being metaphors” whose sole purpose is to represent things in the real world; they eat the real world.

Which made it rather painful to finally lift up our heavy luggage and come home, to live again among all these people who see the operations of language and storytelling in, quite frankly, a sophomoric English-class sort of way. All these people with their appalling lack of zombie contigencies. (Or maybe their dim-wittedness is, like, supposed to be a metaphor. What the hell do I know? I’m just a science fiction writer.)

Anyway, I really had a good time. Thanks to Glasgow, and all the organizers and volunteers, for lifting me out of the real world for a while. You rule.

Plus . . . Orbit, the UK publisher of Risen Empire, bought Midnighters for their young adult line.

W00t! Midnighters with slightly different spelling and punctuation! And with many more readers!

Glasgow was my first time meeting the Orbit crew, and they were all extremely cool. I look forward to publishing many more books with them in the future. (And the sale makes that whole pound-sterling-eating mother of a trip totally tax-deductible. Righteous!)

More Bixby Realness

I received another missive from my Bixby correspondent. It turns out that she actually lives in Glenpool, which is just west of Bixby. But she does go to Bixby High (in fact, she has an @bixbyps.org address, which means she’s either telling the truth or really taking this hoax seriously). She hasn’t been able to read this blog yet, because the school software blocks all blogs everywhere. Probably so they don’t find out about the zombies under the school.

Her quote of the day: “The water DOES taste funny in Bixby.”
Of course, I bet all Glenpoolians say that.

She’s going to tell a bunch of other Bixby-ites this week about the Midnighters books. We’ll see if any of them join us here . . .

This reminds me, the Midnighters fan who spent spring break in Oklahoma sent me a Bixby Spartans t-shirt:

It’s a pretty cool shirt, actually. (Thanks, Morgan!) Although in Touching Darkness, I say that the BHS football team is called the “Tigers.” Oops. Note to self: Do some research, sometime.

Of course, if the real Bixby had darkling panthers sneaking around at night, they might have thought “Tigers” made more sense.

Personal Royalties

So, here’s another fabulous letter from a fan. He read all of Midnighters 2: Touching Darkness in a book store. That is to say, he didn’t buy it, just sat there hogging the comfy chair, polished it off in one sitting (I guess).

Obviously, he really enjoyed the book, and so out of a sense of fairness he decided to send me a personal royalty statement: a money order for $5.

Behold:

I quite like the tone of William’s letter. He doesn’t send the money out of guilt, but as “a token of appreciation.” After all, you shouldn’t feel that guilty reading in a book store. At some point there might be a socially awkward thing going on, but if you’re really wrapped up–I say go for it.

In general, I’m more of a copyleftist than a copyrightist. I want my readers to swap books with each other, write fan fic, donate to libraries, interpret and remix. That’s called sharing. “Pirating” is when you print my books and sell them without paying me. (You know who you are, Mongolia.)

Now, in this dog-eat-dog world you’d think getting a personal royalty check would be unprecedented. But this issue comes up a lot more than you’d think. Friends often borrow a manuscript or review copy of mine and laughingly say, “Well, I’ll just give you the royalty. What’s that? $2.50?” They start digging in their pockets, and I refuse.

What they don’t realize is, it ain’t just me. I have a whole publishing family to support. Editors, proofreaders, cover designers, printers, publicists, booksellers, tree-growers, tree-choppers, paper pulpers. If you, gentle reader, only pay me (even at William’s astonishing 30% royalty rate) they’ll all starve!

And then where would I be? All alone on the blistering plain.

We all support each other: my editors and proofreaders and book-binders, the readers who share their favorite titles, libraries that allow you to try out new writers, fan-fic writers who work hard to create new fans, and even massive book chains who let you hang out all day drinking their coffee without buying the book.

So I’m not cashing William’s money order. It’s partly out of solidarity with my bookselling and tree-pulping brethren, who I don’t want to cut out of the deal.

And partly because I’m gonna frame the sucker. It was a very sweet gesture, and much appreciated in return.

Busted by a Bixby-ite

It had to happen sooner or later . . . someone in the real Bixby, Oklahoma has read Midnighters. Erp.

Her email begins: “Imagine my surprise . . . ” Well, yes, I sort of can. I knew this moment would come, after all. Writers often worry about what their family or friends will think about what they write. But in this case, I was making crazy claims about a whole town and its supernatural underbelly. A town with 13,000 people in it—small enough to be annoyed at any perceived insults, but still big enough to kick my ass.

My Bixbyite continues: “I go to Bixby Public High School. A place I would only send my hated enemies. I was just wondering… have you ever actually stepped into the halls of BHS? its not as bright as you’ve written. even if you have been to Bixby it must have been quite some time ago. the school is dark and cave-like. still a maze.”

Cool image. But yeah, that’s not quite how it appears in the first chapter of Book 1. Which brings us to an interesting question. Have I, Scott Westerfeld, ever been to Bixby?

Let’s see, ummmm . . . no. I mean, I grew up in Texas and have driven through Oklahoma, even camped there once. I know what a snake pit looks like. And one intrepid Midnighters fan went on an exploratory mission this last Spring Break, and took some photos and stuff. But research? Moi?

You see, if I actually went to Bixby, then I’d be all hemmed in by reality. And effort.

The Girl from Bixby has another good question: “I wanted to know why, exactly, did you choose Bixby? not many would give the place a second glance. . . . we’ve always assumed zombies lived under the school or that the principal was really a gnome (he’s too short to be human, I swear) or that not everyone was human. That ‘not everyone’ including me. ^_^”

NOW we’re talking: Zombies! Under! The! School! (I knew I should have Googled.)

So how did I know about the weirdness of Bixby, you might ask? Well, I could say that ALL small towns are weird. But that would be lame. Instead, let me describe my scientific approach: I looked at a map and found the spot at 36N, 96W, both multiples of 12. The two closest towns were called Bixby and Broken Arrow. Broken Arrow has a cooler name, but then I realized that “B-i-x-b-y O-k-l-a-h-o-m-a” has exactly thirteen letters. Clearly, I was on to something.

I was, however, exhausted by my efforts. From then on out, I stuck to using memories of the Texas badlands along with the odd dash of imagination. Didn’t even Google the place, which is why I just found out a month ago that the population is 13,000. (Not subterranean-zombies-level spooky, but still cool.)

Fortunately, my Bixby correspondent isn’t sweating the details. She ends with: “it gives the place a new element, I must admit. Bixby is still crazy boring but… not quite so much anymore. . . . little amusements like that to liven up the place. thank you for adding to my own version of Bixby lore with your Midnighter books.”

You’re a sweetheart. Thanks back at you for writing, and for not busting my chops for all the other details I probably got wrong.

And here’s my question to you, Dear Bixbyite: Are you going to tell everyone about the Midnighters books? Or keep them a secret among a few choice friends, like the blue time itself?

Hmm.

Let the Madness Begin

Welcome to my new-look site, now with 100% more blog!

First things first: This just in from my editor at HarperCollins, the rough cover of Midnighters 3: Blue Noon!

blue noon


Like all the covers for this series, it’s really great. I think it’s cool to finally see Jessica on the front cover, up close and with long red ponytail flying, but blurry enough not to upset any mental images of her. I’m also glad to see that she’s dressed to move. Actually, she looks pretty together.

Notice we don’t have a cover quote yet, just a space for one. Any ideas who I can get one from? All my favors were used up getting Ursula Le Guin and Garth Nix to blurb the first two. Bless them.

One note on these covers: The first one had the clock set to 12:05, the second to 11:55, and this one is dead-on midnight. Does anyone know what this means? Not me. Also, the color scheme went from blue to orange to purple. Turns out that this last color makes a lot of sense for this book. But that’s all I’m saying, lest I engage in spoilage.

I will, however, be posting an excerpt from Blue Noon in early 2006.

Hope you enjoy the new site and my occasional blogging. There’s a lot of information about my next novel, Peeps, which is about vampires and set in contemporary New York. Uglies fans will find an interview with me about the series that I did for Check Your Pulse newsletter. Another big new feature is News, which has a potted history of my entire career. (Future biographers take note.)

Special thanks to Justine for all her webmistress work. All the weird inconsistencies are my fault, I assure you.

That is all for now. Hope you guys like it.