Vox YA

There’s a profile of me and Justine in the Village Voice this week! Here’s the photo from it:

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photo by Tina Zimmer

After some slightly red-face-making descriptions of our “haute-bohemian” lifestyle, the article makes some lovely points about why it’s so great to write YA these days:

The nicest surprise amid all this careerist socializing is that the YA vanguard refuses to segregate themselves by subject matter. Authors of dark fantasy or science fiction mingle happily with those who chronicle private-school clique wars or gay romance. In contemporary young-adult lit, realism has no caste privilege over the fantastic. Teen consumers reject the thematic hierarchies that bedevil every other media market, unwittingly creating a utopia for iconoclasts like Scott and Justine, who write teen fiction because it frees their best ideas from the deadly limitations of any adult genre ghetto.

True dat. But the only reason we writers don’t make that distinction is because so many of our readers don’t.

Here’s the whole article.

Reputation Economy Conference

Thanks to all of you have sent me this:

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Yes, it’s a conference about reputation economies that took place back on December 8, at Yale University. Alas, I missed it, but the online description says:

Reputation, which plays a key role in almost any economic or social system, is a fundamental, but not well understood, aspect of online business transactions, peer production of information and knowledge, and exchanges within virtual social communities. Traditional modes of authentication, accreditation, reputation, and prior acquaintance with participants rely on the social norms of close-knit communities and the accountability of meeting face to face. Since these mechanisms usually do not apply to online environments, we have witnessed the development of alternative models for reputation management including third-party certificate authorities, peer-produced evaluations, ratings, stars, points, karma and others.

Click here for the rest.

The term “reputation economy” had been around a while when I started conceptualizing Extras. I have no idea when it first came into use. Cory Doctorow invents a reputation-based currency called whuffie in his 2003 book Down and Out in the Magic Kingdom, and Howard L. Meyers mentions a similar system way back in 1971 in his story, “All Around the Universe.” And, of course, we’ve all seen websites like eBay, where sellers are ranked with feedback from all the people who’ve bought from them before. That’s a real-life reputation economy that’s been around since 1995.

Obviously, reputation is important to human beings. We want to know who to trust and who not to trust. Alas, whatever kind of reputation system we use—word of mouth, online, bathroom wall—there’s always someone willing and able to abuse it. Pointless celebrities dominate, news channels fabricate, banks collapse, and even best friends lie to us sometimes. (Sad for the world, but lucky for novelists; otherwise a lot of cool plot twists would disappear.)

But you guys know all this. You’re the first generation to grow up with the quasi-reputation economies that are Facebook, Myspace, and Google, all of which show us who has the most friends, links, or comments.

So how does reputation work where you go to school? (Or to work? Or to network?) Who do you trust? Who trusts you? And what’s the worst failure of your local reputation economy that you’ve ever seen?

Midnighters Widgets

In honor of the Jan 2 release of the brand new Midnighters paperbacks, here are a trio of countdown widgets for your websites and desk tops!

And because I never posted it, click on the thumbnail below for a full-size version of the new Touching Darkness cover.

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To complete this purely self-promotional post, here are multi-store links for The Secret Hour, Touching Darkness, and Blue Noon.

That is all I have the brain for right now.

As of 6PM US Eastern Standard Time, Leviathan is 18,569 words long!

Fan Art Wednesday

It’s a day for extraordinary fan art.

First off, here’s an explosive and painterly version of the cover of Uglies, by Refrigerate Kate.

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And in a darker and more manga-licious vein, a rendering of Moz from The Last Days, remixed with the peeps parasite itself. Brought to you by Freed Wings.

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Me, I’m just sitting around writing Leviathan these days. One day soon (like, really early next year) I’ll have some actual news about that.

Long Live Rex! Um, er . . . Jonathan?

My first post on this blog was about the cover of Blue Noon, book three of the Midnighters trilogy. So perhaps it’s appropriate that my real first post on the redesigned blog is the redesigned Blue Noon cover.

And it’s timely too, given that all three books of the trilogy are being re-released together on January 2!

So here’s the new Rex:

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For reference, here are all three of the new covers together. That’s Jessica on book 1 and Melissa on book 2. (Poor Dess and Jonathan!)

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You can pre-order the new look books now. Here are multi-store links for The Secret Hour, Touching Darkness, and Blue Noon. (Check to make sure the store you choose is showing the new cover!)

Anyway, now that you’ve seen all three covers, what do you guys think?

Update: It has been pointed out to me that this is actually Jonathan. He’s got the acrobat symbol over his eye, after all. Man, us authors can really miss the obvious sometimes.

Except, um, this guy doesn’t really look Hispanic. Hmm . . .

I Think This Works Now

But this is just a test. Let’s see if another vast swath of comments disappears.

And, hey, here’s the French cover for The Last Days:

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Peeps is called V-Virus in French, so TLD is called A-Apocalypse.

Sorry about all this mess with the server. Maybe it will work now . . .

Server Issues

Site News: As a result of your enthusiastic, intense, highly interactive, and generally wonderful fannishness, my server has started to blow up, explode, and generally disintegrate.

Just yesterday my hosting company informed me that we’ve managed to outstrip the capacity of the server that scottwesterfeld.com lives on. (I think it was the Pullman debate overheating the CPU.) This excess of activity started to affect the other sites hosted there—sorry, dudes.

My company has been nice about it, and moved me to a temporary server. As many of you have already noticed, this move has caused technical problems of various kinds, including the loss of dozens of astute and important comments! I’m extremely sorry about this, and we just called the company to get things moved to a bigger, dedicated server.

Like all technology solutions, of course, this means MORE upsets in the near term. (Like when you seriously clean up your room, emptying the closets and beating the rugs, and it gets messier for a while before it gets cleaner.) So look forward to explosions and general bizzareness for the rest of the week, and then a bright shiny new look with many new bells and whistles. Maybe some polls!

So this is a good thing, really. It just means our little community is growing, and I have you—my hardcore, word-spreading fans—to thank for that.

Watch this space for more news.

Podcast-tastic!

For those of you wearying of the Great Pullman Debate, I offer a pair of podcasts to soothe the spirit.

Back in October, when I was on tour for the release of Extras, Justine and I had a chance to sit down outside of Chicago with an old pal named John Scalzi. Scalzi was writing his first YA, so his publishers thought it would be cool to record our conversation and podcast it. Well, it’s finally ready for listening.

We discuss our books, hoverboard derring-do, and of course zombie suppression.

Here’s part one and here is part two.

Enjoy!

(No Pullman arguments in this comment thread! Here is where they go!)

One Last Pullman Post

In the comments to the previous post, there have been many fierce arguments about Phillip Pullman’s His Dark Materials.

It’s great to see you all debating this so seriously. And despite the fact that some of you are getting angry and making more typos than usual, you’re actually much more respectful to each other than most adults. (If you ever glance at political sites, you’ll read far ruder things than appear here.) I’m happy to see that. I like you guys a lot, and the community we’ve created here together is important to me. Keep being nice to each other!

But keep arguing too. Debating is an important thing to learn to do, even when it’s crazy-making.

However, I want to point out one thing that keeps going missing in the debate about Pullman: At no point in His Dark Materials do the characters kill god. This rumor isn’t a “controversial” aspect of the trilogy, it’s a lie about the trilogy. And like so many lies these days, this one is spread by people forwarding emails to each other. You probably have seen this sort of thing happen with rumors in school; after all, it’s more fun to spread a nasty rumor than it is figure out the truth behind it.

But how do I know this rumor isn’t true? Well, unlike rumors about what happened at someone’s party or who kissed whom, everything in His Dark Material is written down, and you can read it to find out exactly what happens. So if you go to page 188 of the US mass market paperback of Amber Spyglass, you’ll discover that Pullman’s Authority is not the creator. He’s not god. Ogunwe says so in the following words, “It shocked some of us, too, to learn that the Authority was not the creator.”

Case closed. The Authority is a fraud. He’s a liar, just like the people who started the rumor that in His Dark Materials the characters “kill god.” In a funny way, those people are trying to pull off the same kind of trick as the Authority. Okay, they’re not exactly playing god, but they are lying to control what you read, which affects what you think, and what you believe. They are frauds. (Or VERY sloppy readers.)

Of course, as with most rumors, the vast majority of the people saying these things aren’t lying. They’re just passing the rumor on without knowing if it’s true or not. That’s not as bad, but it’s also not something you get a medal for.

By the way, there’s another place where you can see that no one “kills god” in HDM. That’s the scene where he dies. Lyra and Will find him and free him from the place the bad guys have been keeping him and using him as a symbol to help them control everyone. It turns out he’s really old. Here’s how it happens in the book:

Between them they helped the ancient of days out of his crystal cell; it wasn’t hard, for he was as light as paper, and he would have followed them everywhere, having no will of his own, and responding to simple kindness like a flower to the sun. But in the open air there was nothing to stop the wind from damaging him, and to their dismay his form began to loosen and dissolve. Only a few moments later he had vanished completely, and their last impression was of those eyes, blinking in wonder, and a sigh of the most profound and exhausted relief.

Now, come on. Does that sound like Lyra and Will are “killing” him? Could anyone actually misread that as a murder? They’re “dismayed” when he dies. It’s a sad and touching scene, not a victory lap.

So he’s not god, and Lyra and Will don’t kill him. Anyone who says otherwise a) hasn’t read it, b) can’t read, c) is lying.

Sorry to keep pointing this out, but false rumors really annoy me. Especially when they’re used to keep books out of people’s hands.

I’m not saying you all have to go read Pullman right now. Maybe you just don’t like armoured bears. But there’s one thing you really should remember: People who tell you juicy rumors, on the internet or in real life, usually aren’t trying to help you by giving you secret, important info. Very often, they’re trying to make themselves feel important, or hurt someone else, or control you in some way.

Don’t assume rumors are true, no matter how often you hear them.